Dillan Marsh


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The Travels of The Toucher, Assembly House, Leeds 2015-12-15


The Travels of The Toucher

Dillan Marsh & Eleanor Clare

Video projection with audio played through a bass amp, 45 sec. loop
Framed digital C-print, 60x85cm
Audio, played through a mini guitar amp, 5.20min. loop
Digital photograph on 32 inch monitor
Stud wall with two poke holes cut through it
Five terracotta clay objects on different sized plinths
Framed painting, acrylic on two 21x15cm sheets of paper
Work lamp, lighting back yard
Publication, in edition of 50

The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds The Travels of The Toucher, Assembly House, Leeds

Tags: work / exhibition / recent_work / documentation / photograph / text / collaboration / loop / box / cycle / video / ritual / print / light / darkness / collection / installation / studio / publication / time / body / sculpture / Eleanor_Clare / noise / plinth / screen / creation / plastic / sound / 2015 / landscape / show / rock / connection / view / film / hole / audio / chaos / Edinburgh_Sculpture_Workshop / wall / nature / speaker / earth / matter / megalith / sound_system / nature / water / Yorkshire_Sculpture_Park / shrine / acoustic / barrier / rubish / projection / Assembly_House_Studios / voice / Bergen_Kommune / The_Travels_of_The_Toucher / Norsk_Kulturradet / About_Time / ceramic / feel / hands / site / winter / Ellie_MacGarry / Rufus_Newell / clay / Lester_Drake / Tigh_na_Cailleach / ancient / Matt_Wheeldon / back / Mike_Winnard / gap / Arthurs_Seat / C-print / monitor / whispering / Granton_Mound / Poke_Holes / lamp / painting / Halhjem_Helleristninger / The_Hand_and_the_Hole / bass_amp / New_Haven_Bay /


About Time Festival 2015-12-15

About Time Festival
Eleanor Clare & Dillan Marsh: The Travels of The Toucher
20th-29th Nov

With cardboard boxes over their heads, and two holes punched out for their arms, they began with wet clay, and without any other idea than to see what came by handling it. What they arrived at was not a sculpture, but a way to begin. The forms were destroyed and remodelled Ė the possibility to reform them was always there. It was a way to get to the thing.

On a wet and windy day, they journeyed out to Tigh na Cailleach, home of the Old Woman of the Glen, just before she withdrew into her shelter for the winter. They were not sure what they might find, or what to do when they got there. They were walking a path that had been walked for thousands of years. They were looking for the very beginnings of meaning and making: to connect thousands of years ago with today. They wanted to find it, but when they found it, they didnít know what to do next. Not there at the shrine, nor in the studio with the clay.

About Time is a satellite programme of contemporary art running from October 2015 Ė January 2016. It is curated by a consortium of Leeds-based artists and curators led by Mexico, Pavilion and SPUR with contributions from Assembly House Leeds, Basement Arts, Black Dogs, Leeds Animation Workshop, Left Bank, Pyramid of Arts, Seize, Set The Controls For The Heart of The Sun and many others. Coinciding with the launch of the British Art Show 8, this city-wide initiative features commissioned artworks, texts and events which aim to highlight the work of artists, cultural producers and curatorial projects based in Leeds, alongside their international peers. The programme takes place across a diverse set of venues including artist-led spaces, museums and heritage buildings.



Tags: exhibition / text / collaboration / cycle / circle / installation / sculpture / Eleanor_Clare / costume / creation / show / 2015 / mask / rock / collage / helmet / poster / Edinburgh_Sculpture_Workshop / fruit / matter / nature / megalith / press_release / shrine / Assembly_House_Studios / festival / About_Time / pagan / suit / Norsk_Kulturradet / The_Travels_of_The_Toucher / Bergen_Kommune / flyer / ancient / Lester_Drake / clay / Matt_Wheeldon / head / vegetable / Mike_Winnard / uniform / Ellie_MacGarry / Rufus_Newell / Tigh_na_Cailleach / Avebury / Mascots_and_Stones /


The Travels of The Toucher 2015-12-14



The Travels of The Toucher



Dillan Marsh & Eleanor Clare
Assembly House Studios 20-29 Nov. 2015
Sat. & Sun. 1-4pm or by appointment



With cardboard boxes over their heads and two holes punched out for their arms, they began with wet clay, and without any other idea than to see what came by handling it. What they arrived at was not a sculpture, but a way to begin. The possibility to destroy and remake was always there: it was just a means of getting to the thing.

On a wet and windy day, they journeyed out to Tigh na Cailleach, home of the Old Woman of the Glen, just before she withdrew into her shelter for winter. They were not sure what they might find, or what to do when they got there. They were walking a path that had been walked for thousands of years. They were hopeful that they would make their destination on time, and fearful of regret, lest they should have to turn back. It was not that time or nature were against them; it was simply that the elements continued, and would continue interminably, before them, after them and in spite of them. The night was drawing closer with every step further into the heart of the glen. Colours were changing to soft and rusty ochres, greens and bluey-greys. The form of the land was becoming gentler and more rounded. The deep, broad loch had now tapered off into a trickling stream; yet the wind raged on, and the rain beat with a stinging patter against against their faces.

They were looking for the very beginnings of meaning and making: to connect thousands of years ago with today. They wanted to find it, but when they arrived, they still didnít know what to do. Not there at the shrine, nor in the studio with the clay.

This work has been kindly supported by: Assembly House Studios, About Time, Edinburgh Sculpture Workshop, Yorkshire Sculpture Park, Bergen Kommune, Norsk Kulturradet (Arts Council Norway)

The Travels of The Toucher

Tags: work / exhibition / recent_work / documentation / photograph / text / collaboration / cycle / video / drive / ritual / light / darkness / installation / time / publication / sculpture / Eleanor_Clare / religion / creation / landscape / 2015 / sound / edition / catalogue / archetype / rock / audio / chaos / Edinburgh_Sculpture_Workshop / future / wall / water / creativity / press_release / nature / Yorkshire_Sculpture_Park / megalith / sound_system / seek / shrine / cardboard / touch / Assembly_House_Studios / Norsk_Kulturradet / About_Time / ceramic / site / Bergen_Kommune / pagan / The_Travels_of_The_Toucher / Matt_Wheeldon / Tigh_na_Cailleach / Lester_Drake / winter / ancient / Rufus_Newell / Ellie_MacGarry / Mike_Winnard / storm / Arthurs_Seat / weather / travel / Face /


Appendix 3 (text by Eleanor Clare) 2013-08-14



Appendix 3: Miscellaneous

As cosmic man or the personification of the intelligence in the tree of life, the Green Man is
the point at which the truth is manifested in creation, whether as life, light, song, words or
other figurative forms of art. He is the medium through which divine inspiration guides the works
of time in the fullness of space. He is the point of entry of eternity into time. Space is the
medium of sound, and therefore the music of praise.

W. Anderson, Green Man: The Archetype of our Oneness with the Earth.

...

Such circles designate, like the spirals, the paths of entry between worlds, and the pacing or
dancing of such designs in imitation of the journeys of the Gods, offers a perfect explanation of
these structures.

The Avebury henge was not a sculpture in the sense of being a finite, completed object.
Instead, it was brought to completion at the right time by human participation.

M. Dames The Avebury Cycle

...

In the extraordinary madness which periodically invaded Europe from the fourteenth to the
seventeenth century, people danced until they dropped.

At Liege in 1374, after certain possessed folk had come dancing half naked into the town
with garlands on their heads, dancing in the name of St John, we are told that many persons
seemingly sound in mind and body were suddenly possessed by devils and joined the dancers.

E.R. Dodds The Greeks and the Irrational





Tags: work / recent_work / text / collaboration / belief / cycle / energy / ritual / desire / circle / time / publication / action / sculpture / Eleanor_Clare / New_Age / death / creation / June_Twenty_First / music / archetype / dance / cosmos / megalith / true / god / pagan / Appendix / spiral / 1978 / green_man / Avebury / W._Anderson / Liege / E.R._Dodds / M._Dames / 1374 /


Worlds Oldest Map 2013-06-23

Worlds Oldest Map The world's oldest map, which Richard J. "Dick" Benson dates to 6018 B.C., depicts the elegant theory of mathematics embodied in the planning of the city of Cairo. The megaliths shown are (C) Cheops, (K) Kephren, (M) Mikerinus, and (S) Sphinx. Benson's work may well provide a helpful, radically new framework for historical linguistics as well as uncover a lost simplicity in the art and numbers of geometry.


Tags: research / system / diagramme / universe / map / pyramid / megalith / 6018 B.C. / Richard J. Benson / Cairo /


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