Dillan Marsh
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boilersuits 2016-07-13
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patriotic nascar 2014-02-23
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4824589026_548963af86 2014-02-23
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Flag New York City, Performa 13 2013-11-20
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Flag New york City, Catalogue 2013-11-20
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Patrick Wagner Screen Print Edition 2013-08-15
Screen print collaboration with Patrick Wagner, contact Entree for further information.
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June Twenty First (printed by Patrick Wagner) 2013-08-14
Produced in collaboration with Patrick Wagner 
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22_1073897941 2013-07-03
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Big City Big Opportunity 2013-04-28
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trophy car 2012-08-30
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athletics 2012-08-25
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super total screen print edition 2012-08-15
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super total documentation 2012-08-15
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E Clare Review 2012-08-15
Millrace Gallery / Bergen Kjott
These objects were something like old fashioned projection screens, and something like gondolas; not of the Venetian type, rather the wheeled display stands used in retail (even though the wheels were rather too large to be seen on the shop floor - they were more reminiscent of something that could belong in a workshop - somehow 'masculine').
One was much taller than the other, on high legs. A square frame, glossy and blue, contained an LCD screen. The smaller one was painted in red gloss, and also held an LCD screen. The larger was somewhat mesmerizing as blue letters in italic capitals glided across the screen, spelling out 'TOTAL.' As I watched, I realised that the word seemed to glitch, to come apart - severed by a horizontal line through the middle; sometimes partially slipping from vision. TOTAL: this word as an entity, as a thing, as a visual object: I felt some pathos for it. It had fallen short, it was fading, it was uncertain. Words fail me...
Upon the screen of the smaller object, to the bottom right, almost slipping out, was the word SUPER in italic capitals. It was flashing - like brand names in lights at Piccadilly Circus, or how I would imagine it to be in Las Vegas. Yet once again there was a sense of pathos pertaining to the one who is desperate to be noticed, but just seen in the peripheral vision, at the edge, about to become obsolete.
Below the screens as I looked down, I noticed that the wires and connections at the back of the DVD player were left open, hanging out, and that surrounding the glossy blue frame was grey foam, cushioning the LCD screen and protecting it from damage. The Bride Stripped Bare By Her Bachelors, Even. Or this time perhaps we may infer that the Bachelor himself has been disrobed, robbed, even. The edifice that would give this work a sense of sheeny, hermetic closure as an object has been cast to one side. It appears to be suspended - in a state of display in its most commercial aspect (as a product/object/work of art), and also in the sense that it has been left bare: in a state that could be either not quite complete or abandoned in the process of dismantling.
Laurie Edson writes about 'The Large Glass,'
'The verbal clues provided in the title suggest that we are witnessing the ongoing process of the stripping and all that goes with it, a dynamic situation has been 'caught in the act', temporarily frozen in glass and delayed (delay, of course, promises completion at some later time).
Duchamp uses techniques that function to delay the spectator's response, and this very delay (and the subsequent heightening of the spectator's desire to comprehend, to solve, to figure out, read) produces desire in the sense which Barthes has used the term.'
It seems that in Marsh's work too, there is the undeniable sense of delay, and to use Edson's terminology, of being 'caught in the act.' In the seductive promise of a shiny, glossy exterior, and in the promise of the words 'super' & 'total' the viewer seeks at once to understand what is missing - to understand why this object is left as it is, apparently undone, to know exactly what it is, or what it is for. I (the spectator) am caught between a state of mesmerized fascination with the brightly lit words on the LCD screen, a sensuous appreciation of the physical potential of the clean, glossy structure, and a feeling of frustration in terms of knowing: I cannot name this thing before me; I cannot define it. And as such, both the physical object and meaning are left un-ended.
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mill race gallery (studio) 2012-08-15
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super total isometric drawing 2012-08-15
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super total plan diagramme 2012-08-15
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super repeat loop 2012-08-15
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total repeat loop 2012-08-15
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super video loop clip 2012-08-15
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total video loop (clip) 2012-08-15
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shelves chairs boilersuits 2012-08-14
photo bjorn mortensen
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70x100 Screen Print Edition 2012-05-15
Screen Print Edition in collaboration with Patrick Wagner/Handsome Boy Press.
Supported by Entree/Norsk-finsk kulturfond. 
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50x70 Screen Print Edition 2012-04-15
Screen Print Edition in collaboration with Patrick Wagner/Handsome Boy Press.
Supported by Entree/Norsk-finsk kulturfond. 
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super total screen print edition (2) 2012-02-15
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total test 2012-02-15
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total 2012-02-15
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now new repeat 2012-01-15
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now new checkered 2012-01-15
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adidasleosforusa 2011-11-16
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Blue Super Design 2011-05-11
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Blue Square Design 2011-05-11
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Square Design 2011-05-11
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square design print 2011-04-30
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colours and shapes 2011-01-16
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microscale decal 2010-12-16
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tag team documentation 2010-11-19
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Component Design (large sign) 2010-11-15
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component design (small sign) 2010-11-11
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Super Total Design 2010-11-11
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tag team design 2010-10-15
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logos 2010-08-29
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united 2010-08-29
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leagues 2010-08-29
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DMA Design 2010-04-11
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Blue and Red Design 2009-08-09
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Blue and Red Design 2 2009-08-04
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