Dillan Marsh
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Cash & Carry, Entree 2015-12-10
Entree
Cash & Carry
05.12 – 09.01
Markeveien 4b
5012 Bergen
Tue 12- 6pm
Wed 12- 6pm
Thu 12- 8pm
Fri 12- 6pm
Sat 12- 6pm
Sun 14- 7pm
Marthe Elise Stramrud, Sveinung Rudjord Unneland, Tom Kosmo, Azar Alsharif, Lasse Arikstad, Dillan Marsh, Magnhild oen Nordahl, Cato Loland, Bjorn Mortensen, Toril Johannessen, Heidi Bjorgan, Stian Adlandsvik, Lars Korff Lofthus, Bjorn-Henrik Lybeck, Johanna Lettmayer, Anngjerd Rustand, Julie Lillelien Porter, Anne Marthe Dyvi, Borghild Rudjord Unneland, Malin Lennstrom-Ortwall, Kay Arne Kirkebo, Randi Nygard, Tatiana Lozano, Klara Sofie Ludvigsen, Lisa Him-Jensen, Torgrim Sund, Kirsti van Hoegee, Sif Ankergard, Gabriel Johann Kvendseth, Terence Koh, Scott Elliott, Trollkrem, Linn Pedersen, Tag Andersson, Kristin Tarnesvik, Vilde Salhus Roed.
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untitled collection, Skjoenne Sjeler 2014-09-09
- collage with Francois Hugo dans son atelier and a stamp from the Album Nestle, Series 22
- role playing dice with the numbers removed and in the forms of the 5 Platonic Solids
- collage with Bulgari advertisement Eternal Values and bookmark with Vanitas by Jan van Huysum
- RUSH, Yikes and Power Promotions (1992) on a small white stool
- Collage with Odyssey, a Journey into Dance and postcard Urnascher Sylvesterchause
- Trophy, marble base, universal imperial spanner and chocolate wrapper
- Tomorrow is Born, Acidica Productions (Shepton Mallet, 1992)
- postcard of Arosa 1800m, Innerarosa, Alpentobel, Erzhorn
- digital machine timer Red Lion 202/95EC (counting the time in milliseconds)
- NEW AGE (Milton Keynes)
- a toy Halloween pumpkin
- mono-print on paper Mayhem in 1990 printed with an empty black ink cartridge
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Skjonne Sjeler Catalogue 2014-08-10
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Helios (text by Eleanor CLare) 2013-08-14
As he rides his chariot, he shines upon men and deathless gods, and piercingly he gazes
with his eyes from his golden helmet. Bright rays beam dazzlingly from him, and his
bright locks streaming from the temples of his head gracefully enclose his far-seen face: a rich,
fine-spun garment glows upon his body and flutters in the wind: and stallions carry him.
Then, when he has stayed his golden-yoked chariot and horses, he rests there upon the
highest point of heaven, until he marvellously drives them down again through heaven to Okeanos."
Homeric Hymn 31 to Helios (trans. Evelyn-White) (Greek epic C7th - 4th B.C.)
*
I lived to dance all night. A surging energy created a new and unprecedented confidence:
that it was possible to cheat time. I felt invincible - transcendent. Life was light, without fear
of death; at least not in this state of being. I sensed in my body vibrations of sound.
The closer I got to the source, the more it enveloped me, becoming a physical entwinement with
music and space. I felt one with it. But as the years passed, inevitably my heart began to
beat out of time. The breath did not come so easily. I held it at the top for a few seconds,
afraid to exhale. In these moments, the perceived syncopation that was once such a joy had
started to become a dissonance.
*
I feel alive, and the world - it's turning inside out Yeah!
I'm floating around in ecstasy
So don't stop me now,
I'm a shooting star leaping through the skies
Like a tiger, defying the laws of gravity
I'm a racing car passing by like Lady Godiva
I'm gonna go! go! go!
There's no stopping me!
I'm a rocket ship on my way to Mars
On a collision course
I am a satellite, I'm out of control
I am a sex machine ready to reload
Like an atom bomb about to
Oh -oh-oh-oh-oh explode!
(Extracts from 'Don't Stop Me Now' lyrics by Freddie Mercury, 1978)
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Appendix 3 (text by Eleanor Clare) 2013-08-14
Appendix 3: Miscellaneous
As cosmic man or the personification of the intelligence in the tree of life, the Green Man is
the point at which the truth is manifested in creation, whether as life, light, song, words or
other figurative forms of art. He is the medium through which divine inspiration guides the works
of time in the fullness of space. He is the point of entry of eternity into time. Space is the
medium of sound, and therefore the music of praise.
W. Anderson, Green Man: The Archetype of our Oneness with the Earth.
...
Such circles designate, like the spirals, the paths of entry between worlds, and the pacing or
dancing of such designs in imitation of the journeys of the Gods, offers a perfect explanation of
these structures.
The Avebury henge was not a sculpture in the sense of being a finite, completed object.
Instead, it was brought to completion at the right time by human participation.
M. Dames The Avebury Cycle
...
In the extraordinary madness which periodically invaded Europe from the fourteenth to the
seventeenth century, people danced until they dropped.
At Liege in 1374, after certain possessed folk had come dancing half naked into the town
with garlands on their heads, dancing in the name of St John, we are told that many persons
seemingly sound in mind and body were suddenly possessed by devils and joined the dancers.
E.R. Dodds The Greeks and the Irrational
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The Chakras and The Stars 2013-06-27
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solar system chart 6938 2012-12-02
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Robert Fludd 2012-11-02
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