Dillan Marsh

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The Travels of The Toucher, Assembly House, Leeds 2015-12-15

The Travels of The Toucher

Dillan Marsh & Eleanor Clare

Video projection with audio played through a bass amp, 45 sec. loop
Framed digital C-print, 60x85cm
Audio, played through a mini guitar amp, 5.20min. loop
Digital photograph on 32 inch monitor
Stud wall with two poke holes cut through it
Five terracotta clay objects on different sized plinths
Framed painting, acrylic on two 21x15cm sheets of paper
Work lamp, lighting back yard
Publication, in edition of 50

The Travels of The Toucher, Assembly House, Leeds

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TOP BUZ 2015-12-15

TOP BUZ

Tags: work / documentation / logo / facade / design / fair / vehicle / movement / energy / ritual / print / desire / elevation / super / screen / lights / 2015 / edition / music / carnival / motion / dizzy / advetisement / spinning / solstice / riot / rainbow / ride / phenomena / increase / Rush / dots / top / Top-Buzz / TOP_BUZ /

Top Buzz 2015-09-23

Top Buzz, Screen Print on Plexiglass, 2015

Tags: work / recent_work / trade / documentation / fair / energy / print / slogen / plastic / 2015 / edition / orange / carnival / screen_print / advetisement / spinning / presentation / speed / rainbow / Top-Buzz / plexiglass /

Too Loud a Solitude 2015-07-18

For thirty-five years now I've been compacting waste-paper, and if I had it all to do over I'd do just what I've done for the past thirty-five years. Even so, three or four times a year my job turns from plus to minus: the cellar suddenly goes bad, the nags and niggles and whines of my boss pound in my ears and head and make the room into an inferno; the wastepaper, piled to the ceiling, wet and moldy, ferments in a way that makes manure seem sweet, a swamp decomposing in the depths of my cellar, with bubbles rising to the surface like will-o'-the-wisps from a stump rotting in the mire. And I have to come up for air, get away from the press, but I never go out, I can't stand fresh air anymore, it makes me cough and choke and sputter like a Havana cigar. So while my boss is screaming and wringing his hands and raining threats down on me, I slip away and set off in search of other basements, other cellars.
Most of all I enjoy central-heating control rooms, where men with higher education, chained to their jobs like dogs to their kennels, write the history of their times as a sort of sociological survey and where I learned how the fourth estate was depopulated and the proletariat went from base to superstructure and how the university-trained elite now carries on its work. My best friends are two former member of our Academy of Sciences who have been set to work in the sewers, so they've decided to write a book about them, about their crissings and crossings under Prague, and they are the ones who taught me that the excrement entering the sewage plant at Podbaba on Sundays differs substantially from the excrement entering it on Mondays, and that each day is so clearly differentiated from the rest that the rate of flux may be plotted on a graph, and according to the ebb and flow of prophylactics one may determine the relative frequency with which varying sections of Prague indulge in sexual intercourse.

Too Loud a Solitude, Bohumil Hrabal, 1976, translation Michael Henry Heim

Tags: research / work / text / cycle / print / desire / darkness / quote / body / noise / process / dysfunctional / destroy / residue / dizzy / boilersuits / sick / decay / melancholy / paper_mache / Accidie / garbage / cellar / sewer / will-o-the-wisp / book / Bohumil_Hrabal /

untitled collection, Skjoenne Sjeler 2014-09-09

- collage with Francois Hugo dans son atelier and a stamp from the Album Nestle, Series 22
- role playing dice with the numbers removed and in the forms of the 5 Platonic Solids
- collage with Bulgari advertisement Eternal Values and bookmark with Vanitas by Jan van Huysum
- RUSH, Yikes and Power Promotions (1992) on a small white stool
- Collage with Odyssey, a Journey into Dance and postcard Urnascher Sylvesterchause
- Trophy, marble base, universal imperial spanner and chocolate wrapper
- Tomorrow is Born, Acidica Productions (Shepton Mallet, 1992)
- postcard of Arosa 1800m, Innerarosa, Alpentobel, Erzhorn
- digital machine timer Red Lion 202/95EC (counting the time in milliseconds)
- NEW AGE (Milton Keynes)
- a toy Halloween pumpkin
- mono-print on paper Mayhem in 1990 printed with an empty black ink cartridge

untitled collection, Skjoenne Sjeler